Skip to main content

AS Palmer fonts from Andrey Sharonov - (ghdeq)

AS Palmer


AS Palmer Script & Sans

This pair was inspired by the spirit of the past, when manual labor was common, and technology was just beginning to develop. It was crafted by hand specially for traditional typography lovers and anyone who want to add natural handmade feeling in brand identity. It comes with Regular and Aged versions that expands its posibilities in use. 


Opentype features

Script font has 151 stylistic alternates and 3 variations of end-swashes with about 10 lengths of each style.


Stylistic Alternates.

The easiest way to get alternate character is to add number for example 2, 3 or 4 after any Uppercase. Each of them has from two up to five alternates. This combination works with activated Standard Ligatures option in Opentype panel (Photoshop / Illustrator).


End-swashes.

AS Palmer Script has 3 variants of end-swashes and about 10 lengths of each style. It works like Stylistic Alternates with activated Standard Ligatures in Opentype panel. Just add special combination at the end of the word, to get needed swash element and its length. Underscore, double underscore or slash is swash style. Number is length. For example: _3, __5, /6. Just try, it's easy.


AS Palmer Sans - different Double letters.

This feature work automatically with activated Contextual Alternates in Opentype panel.


Note, that this features are not available in Miscrosof Word.


Palmer is very good looking in logo, labels, t-shirt prints, product packaging, invitations, advertising and others. I've designed some examples, so you can see how it can be used. 


Multilingual support (Western European characters). 

English, Danish, Dutch, Estonian, Faroese, Filipino, Finnish, French, German, Hungarian, Icelandic, Irish, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish, Turkish.



AS Palmer


Popular posts from this blog

Download TT Interfaces Font Family From TypeType

Download Now Server 1 Download Now Server 3 Download Now Server 2 Useful links: History of TT Interfaces creation TT Interfaces PDF Type Specimen TT Interfaces graphic presentation at Behance Based on the positive experience in creating typefaces such as TT Norms Pro and TT Commons, we once came up with the ambitious idea of trying to create the perfect typeface to work in modern interfaces on most known mobile and web platforms. We took this project very seriously and, before proceeding with the design itself, we carried out rather extensive research work. You can learn the detailed history of the typeface creation in the article by the link , and here we will tell you what we got in the end. TT Interfaces consists of 22 styles: 18 styles in the basic family, 4 monospaced fonts. The main visual features of TT Interfaces include the open aperture of the c...

NS Lasttown fonts from Novi Souldado - (zukvs)

Download Now Server 1 Download Now Server 3 Download Now Server 2 Inspired by the 18th - 19th century of Penmanship specimens archive from Europe and America, carefully crafted with precise mood, technique, and visual touch to bring back your design works into that specific era. It comes with a collection of 3 fonts that match well with each other. Also a set of wide features such as Ligatures and alternative swashes. Lasttown will be a great choice for your classy and formal visual looks such as certificate design, vintage label, commercial lettering works, sign painting, glass gilding, logo type projects, liquor store branding, wine packaging, anytime you need a classic visual touch, please, be our guest. What you get : Standard & Discretionary Ligatures Stylistic set Numerals & Punctuation NS Lasttown

Plethora fonts from Sudtipos - (uxtur)

Download Now Server 1 Download Now Server 3 Download Now Server 2 A few years ago I've discovered the work of one of the most prolific typeface designers of the Bruce type Foundry in NYC during late nineteenth century. Browsing Julius Herriet's work I found a very unique kind of ligatures in his patented "Old Style Ornamented" type design. Some letters were designed with a little top tail that allowed them to connect to each other. After that, I found that he also designed a single italic weight of the same font 7 years later.  Since the beginning of the Opentype days I’ve been deeply obsessed with exploring different ways to build ligatures, so that lead me up to this point where I felt the need to create “ Plethora ”, this new font inspired by Herriet’s work. Extrapolating weights, adding variable technology and playing with additional interconnected letters and alternates. Definitely, Plethora means a large or excessive amount of something, ...